O.k I was ask the other day how do you write songs? So here's the deal. But if your app provides value and is engaging for your users, there’s a good chance that your music will get heard.
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I personally recommend offering a free app in addition to a premium version with value-added features and content.Įven when downloaded there’s no guarantee that your app will be used or your music listened to. It’s your choice whether to sell your app but keep in mind that more users with your app means more people with access to your music. Marketing through mobile apps takes you direct-to-fan and connects you with your audience. Get the user experience wrong and people will use your app once and never return. But please DO NOT skip over optimizing all content for mobile phone use, otherwise your files will be too large and the user experience will be poor.
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Let them search and download your mp3s, e-books, and other content directly to their phone. Give users access to your entire multimedia library of original content. Invite users to live chats with your band members through Skype and other networks.ĭon’t stop there though. Facilitate sharing (and comments) to your social media pages (YouTube, Facebook, Twitter, LinkedIn, etc). * MP3 feed of your latest songs and mixtapesĪllow users to comment on your app content from their phone via Twitter. * Video feeds for web concerts (on ustream.TV and other digital networks), video blog updates, behind-the-scenes footage, music videos, and anime mini-series * A search engine for streaming your music * A rhythm game like Tap Tap Revenge that showcases your music Make some app features default and others opt-in so users can customize their experience and dictate their level of engagement with your app. These features will add entertainment value to your app if executed properly. Your mobile app should also include additional features that are engaging and addictive for users. Subscribers get new podcast episodes forwarded directly to their phone. Make it simple to use and allow opt-in subscriptions for your podcast(s). In order to maximize your potential for connecting with audiences, your app must be user-friendly and addictive. Beyond that, the apps provide a deeper engagement with your audience. They appear to be a hit with the generation-y market. If you’d be interested in following Tap Tap Revenge on Twitter, click here.Music-based mobile apps are one of the most powerful tools in a musician’s digital marketing arsenal. If you would like to give TTR3 a good try, you may download it here. With that being said, I think that TTR3 is a good application for music-lovers, but lacking a pleasant UI. I’ve tried to find people that are in a close area to mine, but it always fails. Another great feature that the game has, is that you are able to play against other users that are in a certain distance to your location (People near you). I understand that the developers want to earn revenue off of users purchasing their favorite songs, but they should at least give a small taste to what users can possible buy. TTR3 should also include a better variety of song genres, at the moment it’s mostly Metal & Pop. It responds extremely slowly, especially while launching the app. It seemed like they were too excited about placing the new features, than creating a good & pleasant-to-use interface. The developers didn’t seem to care about the UI too much, but more about the new features. In my opinion TTR3 has a very poor UI (User Interface). Unfortunately, the application lost it’s popular reputation very quick, as TTR3 had, & still has, things that the users don’t like.
It did serve for some drama & was definitely “ the” application to have at the time. TTR3 was released to the App Store somewhere in the fall of 2009, with great expectations. The Tap Tap Revenge series, from now on referred by me as TTR, has been around the Apple App Store for quite some time now. Tap Tap Revenge 3 is one of those classic applications for the iPhone & iPod Touch which everyone knows about.
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